Alexander Brome: Collected Lyrics
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Public-domain lyrics

To the five Principal Members of the Honourable House of Commons

Alexander Brome

“To the five Principal Members of the Honourable House of Commons” as printed in Rump Songs (1662).

Alexander Brome: Collected Lyrics Text 66 1662 · historical text
Public domainPolitical songHistorical song
Complete public-domain lyrics

This text comes from Rump Songs, a historical songbook transcribed on Wikisource and reproduced from the pinned revision linked below.

Verse 1

After so many Concurring Petitions

From all Ages and Sexes, and all conditions,

We come in the Rear to present our Follies

To Pym, Stroude, Haslerig, Hampden, and ———

And we hope for our labour we shall not be shent,

For this comes from Christendom, & not from Kent;

Though set form of Prayers be an Abomination

Set forms of Petitions find great Approbation:

Therefore, as others from th’ bottom of their souls,

So wee from the depth and bottom of our Bowles,

According unto the blessed form taught us,

We thank you first for the Ills you have brought us,

For the Good we receive we thank him that gave it,

And you for the Confidence only to crave it.

Next in course, we Complain of the great violation

Of Privilege (like the rest of our Nation)

But ’tis none of yours of which we have spoken

Which never had being, untill they were broken:

But our is a Privilege Antient and Native,

Hangs not on Ordinance, or power Legislative.

And first, ’tis to speak whatever we please

Without fear of a Prison, or Pursuivants fees.

Next, that we only may lye by Authority,

But in that also you have got the Priority.

Next, an old Custom, our Fathers did name it

Poetical license, and alwayes did claim it.

By this we have power to change Age in Youth,

Turn Non-sence into Sence, and Falshood to Truth;

In brief, to make good whatsoever is faulty,

This art some Poet, or the Devil has taught ye:

And this our Property you have invaded,

And a Privilege of both Houses have made it:

But that trust above all in Poets reposed,

That Kings by them only are made and Deposed,

This though you cannot do, yet you are willing;

But when we undertake Deposing or Killing,

They’re Tyrants and Monsters, and yet then the Poet

Takes full Revenge on the Villains that do it,

And when we resume a Scepter or a Crown,

We are Modest, and seek not to make it our own.

But is’t not presumption to write Verses to you,

Who make the better Poems of the two,

For all those pretty Knacks you do compose,

Alas, what are they but Poems in prose,

And between those and ours there’s no difference,

But that yours want the rhime, the wit and the sense:

But for lying (the most Noble part of a Poet)

You have it abundantly, and your selves know it,

And though you are Modest, and seem to abhor it,

’T has done you good service, and thank He’ven for it:

Although the old Maxime remains still in force,

That a Sanctified Cause, must have a Sanctified Course:

If poverty be a part of our Trade,

So far the whole Kingdome Poets you have made,

Nay even so far as undoing will do it,

You have made King Charles in manner a Poet,

But provoke not his Muse, for all the world knows,

Already you have had too much of his Prose.

Credits

Written by Alexander Brome

Words by Alexander Brome. Historical text published in Rump Songs (1662); public domain. No claim to a modern recording or arrangement.

Source & text edition

Rump Songs (1662), “To the five Principal Members of the Honourable House of Commons”

This 1662 collection (Rump: or an Exact Collection of the Choycest Poems and Songs Relating to the Late Times, 1639-1661) is credited to Alexander Brome (died 1666); every contributor died more than 330 years ago, so the text is in the public domain worldwide, and the edition carries a Wikisource PD-old determination.

How to read this historical text and its source

Read the source on Wikisource

View copyright evidence · Transcription terms (CC BY-SA 4.0)

Retrieved 2026-10-26. Line spacing and section labels are adapted for reading. The displayed text follows the linked edition. Editorial notes and abstract artwork are by 52lyrics.
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