Alicia Cockburn: Collected Lyrics
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Public-domain lyrics

Flower of the Forest the Old Way

Alicia Cockburn

“Flower of the Forest the Old Way” as printed in Sons of the Tyne's Garland (1770).

Alicia Cockburn: Collected Lyrics Text 2 1770 · historical text
Public domainTyneside songHistorical song
Complete public-domain lyrics

This text comes from Sons of the Tyne's Garland, a historical songbook transcribed on Wikisource and reproduced from the pinned revision linked below.

Verse 1

I have seen the smiling of Fortune beguiling,

I have felt all its Favours and found its Decay

Sweet is its Blessing, and kind its caressing,

But now it is fled, fled, fled far away.

Verse 2

I have seen the Forest adorned the foremost,

With Flowers of the fairest most pleasant and gay,

So bonny their blooming their Scent the Air perfuming,

But now they are withered, and gone all away.

Verse 3

I've seen the morning with gold the hills adorning,

And loud Tempest storming before middle day,

I have seen Tweed's silver Streams, shining in their sunny Beams,

Grown drummy and dark, as he roll'd on his way.

Verse 4

O fickle Fortune, why thus cruel spoiling,

Why thus perplexing poor Sons in a Day?

No more thy Frowns can fear me,

No more thy Smiles can chear me,

Since the Flowers of the Forest are all wed away.

Credits

Written by Alicia Cockburn

Words by Alicia Cockburn. Historical text published in Sons of the Tyne's Garland (1770); public domain. No claim to a modern recording or arrangement.

Source & text edition

Sons of the Tyne's Garland (1770), “Flower of the Forest the Old Way”

Every contribution in this 1770 garland predates modern copyright terms; any contributor died more than 230 years ago, so the text is in the public domain worldwide; the edition carries a Wikisource PD-old determination.

How to read this historical text and its source

Read the source on Wikisource

View copyright evidence · Transcription terms (CC BY-SA 4.0)

Retrieved 2026-10-27. Line spacing and section labels are adapted for reading. The displayed text follows the linked edition. Editorial notes and abstract artwork are by 52lyrics.
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