John Greenleaf Whittier: Collected Lyrics
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Public-domain lyrics

The Hill-Top

John Greenleaf Whittier

“The Hill-Top” as printed in The Complete Poetical Works of John Greenleaf Whittier (1895).

John Greenleaf Whittier: Collected Lyrics Text 170 1895 · historical text
Public domainBalladAmerican song
Complete public-domain lyrics

This text comes from The Complete Poetical Works of John Greenleaf Whittier, a historical songbook transcribed on Wikisource and reproduced from the pinned revision linked below.

Verse 1

mw-parser-output" lang="en" dir="ltr">Personal PoemsThe Hill-Topby John Greenleaf Whittier→sister projects: Wikidata item

The burly driver at my side,

We slowly climbed the hill,

Whose summit, in the hot noontide,

Seemed rising, rising still.

At last, our short noon-shadows bid

The top-stone, bare and brown,

From whence, like Gizeh's pyramid,

The rough mass slanted down.

Verse 2

I felt the cool breath of the North;

Between me and the sun,

O'er deep, still lake, and ridgy earth,

I saw the cloud-shades run.

Before me, stretched for glistening miles,

Lay mountain-girdled Squam;

Like green-winged birds, the leafy isles

Upon its bosom swam.

Verse 3

And, glimmering through the sun-haze warm,

Far as the eye could roam,

Dark billows of an earthquake storm

Beflecked with clouds like foam,

Their vales in misty shadow deep,

Their rugged peaks in shine,

I saw the mountain ranges sweep

The horizon's northern line.

Verse 4

There towered Chocorua's peak; and west,

Moosehillock's woods were seem,

With many a nameless slide-scarred crest

And pine-dark gorge between.

Beyond them, like a sun-rimmed cloud,

The great Notch mountains shone,

Watched over by the solemn-browed

And awful face of stone!

Verse 5

"A good look-off!" the driver spake;

"About this time, last year,

I drove a party to the Lake,

And stopped, at evening, here.

'T was duskish down below; but all

These hills stood in the sun,

Till, dipped behind yon purple wall,

He left them, one by one.

Verse 6

"A lady, who, from Thornton hill,

Had held her place outside,

And, as a pleasant woman will,

Had cheered the long, dull ride,

Besought me, with so sweet a smile,

That--though I hate delays--

I could not choose but rest awhile,--

(These women have such ways!)

Verse 7

"On yonder mossy ledge she sat,

Her sketch upon her knees,

A stray brown lock beneath her hat

Unrolling in the breeze;

Her sweet face, in the sunset light

Upraised and glorified,--

I never saw a prettier sight

In all my mountain ride.

Verse 8

"As good as fair; it seemed her joy

To comfort and to give;

My poor, sick wife, and cripple boy,

Will bless her while they live!"

The tremor in the driver's tone

His manhood did not shame

"I dare say, sir, you may have known"--

He named a well-known name.

Verse 9

Then sank the pyramidal mounds,

The blue lake fled away;

For mountain-scope a parlor's bounds,

A lighted hearth for day!

From lonely years and weary miles

The shadows fell apart;

Kind voices cheered, sweet human smiles

Shone warm into my heart.

Verse 10

We journeyed on; but earth and sky

Had power to charm no more;

Still dreamed my inward-turning eye

The dream of memory o'er.

Ah! human kindness, human love,--

To few who seek denied;

Too late we learn to prize above

The whole round world beside!

Credits

Written by John Greenleaf Whittier

Words by John Greenleaf Whittier. Historical text published in The Complete Poetical Works of John Greenleaf Whittier (1895); public domain. No claim to a modern recording or arrangement.

Source & text edition

The Complete Poetical Works of John Greenleaf Whittier (1895), “The Hill-Top”

Every text in this 1895 collected edition is by John Greenleaf Whittier (1807-1892), who died more than 133 years ago, so the text is in the public domain worldwide; the edition carries a Wikisource PD-old determination.

How to read this historical text and its source

Read the source on Wikisource

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Retrieved 2026-10-27. Line spacing and section labels are adapted for reading. The displayed text follows the linked edition. Editorial notes and abstract artwork are by 52lyrics.
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