Thomas Hardy: Collected Lyrics
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Public-domain lyrics

San Sebastian

Thomas Hardy

“San Sebastian” as printed in Wessex Poems and Other Verses (1899).

Thomas Hardy: Collected Lyrics Text 27 1899 · historical text
Public domainSong lyricsWessex verse
Complete public-domain lyrics

This text comes from Wessex Poems and Other Verses, a historical songbook transcribed on Wikisource and reproduced from the pinned revision linked below.

Verse 1

"WHY, Sergeant, stray on the Ivel Way,

As though at home there were spectres rife?

From first to last 'twas a proud career!

And your sunny years with a gracious wife

Have brought you a daughter dear.

Verse 2

"I watched her to-day; a more comely maid,

As she danced in her muslin bowed with blue,

Round a Hintock maypole never gayed."

—“Aye, aye; I watched her this day, too,

As it happens," the Sergeant said.

Verse 3

"My daughter is now," he again began,

"Of just such an age as one I knew

When we of the Line, in the Foot-Guard van,

On an August morning—a chosen few—

Stormed San Sebastian.

Verse 4

"She's a score less three; so about was she—

The maiden I wronged in Peninsular days. . . .

You may prate of your prowess in lusty times,

But as years gnaw inward you blink your bays,

And see too well your crimes!

Verse 5

“We'd stormed it at night, by the vlanker-light

Of burning towers, and the mortar's boom:

We'd topped the breach but had failed to stay,

For our files were misled by the baffling gloom;

And we said we'd storm by day.

Verse 6

"So, out of the trenches, with features set,

On that hot, still morning, in measured pace,

Our column climbed; climbed higher yet,

Past the fauss'bray, scarp, up the curtain-face,

And along the parapet.

Verse 7

"From the batteried hornwork the cannoneers

Hove crashing balls of iron fire;

On the shaking gap mount the volunteers

In files, and as they mount expire

Amid curses, groans, and cheers.

Verse 8

"Five hours did we storm, five hours re-form,

As Death cooled those hot blood pricked on;

Till our cause was helped by a woe within:

They swayed from the summit we'd leapt upon,

And madly we entered in.

Verse 9

"On end for plunder, 'mid rain and thunder

That burst with the lull of our cannonade,

We vamped the streets in the stifling air—

Our hunger unsoothed, our thirst unstayed—

And ransacked the buildings there.

Verse 10

"Down the stony steps of the house-fronts white

We rolled rich puncheons of Spanish grape,

Till at length, with the fire of the wine alight,

I saw at a doorway a fair fresh shape—

A woman, a sylph, or sprite.

Verse 11

"Afeard she fled, and with heated head

I pursued to the chamber she called her own;

—When might is right no qualms deter,

And having her helpless and alone

I wreaked my lust on her.

Verse 12

"She raised her beseeching eyes to me,

And I heard the words of prayer she sent

In her own soft language. . . . Seemingly

I copied those eyes for my punishment

In begetting the girl you see!

Verse 13

"So, to-day I stand with a God-set brand

Like Cain's, when he wandered from kindred's ken. . . .

I served through the war that made Europe free;

I wived me in peace-year. But, hid from men,

I bear that mark on me.

Verse 14

"And I nightly stray on the Ivel Way

As though at home there were spectres rife;

I delight me not in my proud career;

And 'tis coals of fire that a gracious wife

Should have brought me a daughter dear!"

Credits

Written by Thomas Hardy

Words by Thomas Hardy. Historical text published in Wessex Poems and Other Verses (1899); public domain. No claim to a modern recording or arrangement.

Source & text edition

Wessex Poems and Other Verses (1899), “San Sebastian”

The 1899 published edition is in the public domain in the United States (pre-1931 publication). Thomas Hardy (1840-1928) died more than 96 years ago and his works entered the public domain in life-plus-70 jurisdictions in 1999; entries credited to other hands are held unless their author died more than 70 years ago.

How to read this historical text and its source

Read the source on Wikisource

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Retrieved 2026-10-27. Line spacing and section labels are adapted for reading. The displayed text follows the linked edition. Editorial notes and abstract artwork are by 52lyrics.
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